Celebrated musician Terry Gibbs, whose remarkable career spans over eight decades, is set to delight audiences once again with the release of his highly anticipated album, The Terry Gibbs Songbook. This momentous album, which pays homage to Gibbs’ exceptional talent as both a composer and a vibraphone player, features 15 original songs, all penned by the jazz icon himself.
The patrons in Cafe Centro got a surprise and major dose of great music at Rob Russel’s Open Mic night last night. Award Winning Danny Bacher who was recently nominated as Best Jazz Vocalist in JAZZTIMES National Readers Poll (along with Harry Connick, John Pizzarelli and Tony Bennett ) was in between gigs in South Florida and joined the musical festivites.
There is something special in the sound, the style, and the phrasing of a horn player who sings; I think back to my favorites of the past like Chet Baker, Jack Sheldon, and even Louis Armstrong.They brought a unique musicality and lightness to their delivery while paying attention to the lyrics, both narratively and rhythmically.In that grand tradition, Danny Bacher brought his quartet last Friday night to “Jazz Nights at Baretto,” upstairs at the Fasano Restaurant on West 49th Street, and put his stamp on a nice selection of songs from the Great American Songbook, along with some rarities and a few well-crafted originals. The musicians who supplied first-rate support throughout the evening were Allen Farnham on piano, Dean Johnson on bass, and BenSaporito on drums; Bacher supplied tasty soprano saxophone as well.
Every autumn, there’s a much-anticipated event in the worlds of cabaret, popular song and jazz—the Mabel Mercer Foundation’s Cabaret Convention. This 33rd edition—Look To The Rainbow: The Songs of Yip Harburg—was the proverbial breath of fresh air following several years affected by the COVID pandemic.
On Sunday June 12, the stars converged at the Cutting Room to honor the great Lee Roy Reams with a Lifetime Achievement Award, presented by the nonprofit American Popular Song Society (“APSS”), with a fine presentation of songs, stories, and anecdotes about working with Mr. Reams. There were also pre-recorded and recited love letters to Lee Roy from some of the performers who could not be present at the Gala, which overlapped with the Tony Awards ceremony which was being held a mile north at Radio City Music Hall.
Vocalist and soprano sax-master, Danny Bacher, is one of those performers who truly loves what he does, and it shows in his every performance. Versatile and multi-talented, this outing at Pangea as as part of the Spring Swing Jazz Series, featured the Danny Bacher Quartet: Steve Myerson on piano, Dean Johnson, upright bass and Alverster Garnett, drums—musicians at the top of their game. The cumulative effect was an evening of great music wrapped in a terrific bundle of joy. And it didn’t hurt an iota that Bacher was played onto the stage by Duke Ellington’s uptempo, inherently cheerful toe-tapper, “C-Jam Blues”—a great tone-setter.
Bacher self-identifies as an entertainer—and that he is. The description befits one who is equally skilled at playing an instrument, singing, humor (with classic jokes living side-by-side with quips and ad-libs) and storytelling. He accomplishes the latter through the music and in his ability as a raconteur. The essence of Bacher can be summed up in one of his own compositions, “In Spite of All This (I’m Still Happy.)” That happiness is authentic; it spills into the room, permeates it and is a great take-away when the show ends. Yep, he’s a feel-good kind of guy and…entertainer.
At a charity event in 2008, Sidney Myer (performer, booker, mentor, and beating heart of Don’t Tell Mama) told actress/vocalist Stacy Sullivan she should do a Peggy Lee show. “When I was pregnant with my daughter, I did an evening with Paul Horner who co-wrote with Peggy Lee and co-wrote the musical Peg. I fell in love with her as a songwriter.” (Sullivan)
CLICK HERE to read the full article at the Women Around Town website.
Danny Bacher is a music man and when he has a chance to play, he doesn’t miss it. This horn-playing, jazz-singing entertainer has garnered fans everywhere, reaching even more during the pandemic with live stream events possessing of a global reach. Come April 20th, Bacher and his sax will be appearing in New York City with the other three musicians who make up the Danny Bacher QUARTET. Appearing as part of the Spring Swing Jazz Series at the downtown joint Pangea, Bacher, Steve Myerson (bass), Dean Johnson (bass) and Alvester Garnett (drums) will present a jazz set that can be enjoyed by both fans of the genre and fans of just plain great music.
CLICK HERE to read the full article and watch the videos.
Danny Bacher has been called a lot of things – most of them good – and one of the most common, usually after someone has watched his stage show, is “old soul.” This singer, songwriter, arranger and gifted soprano sax player can come across as someone who’s time-traveled from the 1930s or ‘40s.
“If I had a nickel for every time someone said that to me, I’d have … a lot of nickels,” Bacher laughs.
October 23, 2021 marked the first outdoor public concert to celebrate the official NYC landmark designation of Tin Pan Alley. The building addresses 47 to 55 West 28th Street are now historical landmarks in keeping the birthplace of American Popular Music alive. It didn’t come easy, but took several years spearheaded by George Calderaro (now Director of Tin Pan Alley Project) who brought Erik Bottcher (City Council Member) aboard as they brought their landmark preservation requests to the Mayor’s Office several times to be turned down until Anne del Castillo (Commissioner Mayor’s Office of Media & Entertainment) heard their plea.
On Saturday, the Tin Pan Alley American Popular Music Project in collaboration with the Flatiron 23rd Street Partnership presented a free, outdoor public concert at the Flatiron North Plaza featuring more than two dozen leading performers of Tin Pan Alley music and the Great American Songbook.
This event celebrates the official New York City landmark designation of Tin Pan Alley buildings at 47-55 West 28th Street and publicly launches the Tin Pan Alley American Popular Music Project, a new nonprofit organization dedicated to the commemoration and continuation of the legacy of Tin Pan Alley, the birthplace of American Popular Music in New York City in the late 19th and early 20th century.
Saturday, October 23rd was Tin Pan Alley Day in New York City – a day celebrating the official New York City landmark designation of Tin Pan Alley buildings at 47-55 West 28th Street. The day publicly launched the Tin Pan Alley American Popular Music Project, a new nonprofit organization dedicated to the commemoration and continuation of the legacy of Tin Pan Alley, the birthplace of American Popular Music in New York City in the late 19th and early 20th century. In honor of the occasion, a free public concert was scheduled to run from Noon until four pm, a concert that featured some of the cabaret industry’s most cherished and respected artists. Excited by the introduction of the foundation and their goals (and the free concert, hello!) Broadway World Cabaret wanted to maintain a presence on the day. Four hours, though, is a chunk of time to donate to a day of the week usually filled with housework, chores, and weekend errands, so Ricky Pope and I agreed to divide the duties, with each of us taking one hour each, to report on the festivities; to further help bring the story to Broadway World Cabaret readers, I reached out to some fine folks via their social media to ask if they might share some of their photos with us.
Danny Bacher is having a moment right now, and it’s one that is certainly well-earned and well-deserved. The bell-voiced singer with a knack for swing spent the last year presenting his brand of virtual concert through Metropolitan Zoom and, from the onset, he fit into the medium with finesse and flair. With his gift for crooning and his master at the tenor sax, he has been able to continue entertaining the multitudes of fans he has picked up during his years in the clubs and concert halls, even reaching the fans who can’t catch live shows regularly, due to living out of town. On top of the success of his virtual shows, earlier this month Danny was named one of the Best Male Vocalists in the jazz industry in the JazzTimes 2020 Readers’ Poll. This should surprise no one. Mr. Bacher is an entertainer of unsurpassed charm and wide-ranging talents, whether he’s making music with his woodwind or his vocal cords, preserving the music of the past or writing music for the present, or even performing as an actor or comic. The man has flair and finesse, and when you add that to talent, you win fans and awards.
In March, when the show business industry of Manhattan shut down, artists of the cabaret and concert industry discovered, relatively quickly, that there was an audience online. Through Facebook and Instagram live posts, artists could reach the public, have a chance to perform, and raise money through virtual tip jars. Then artists discovered Zoom and a world (literally) of performance possibilities opened up to them.
On Friday June 19, I got ready to go out for a night of cabaret. I got dressed, poured a drink, and headed to my living room. For the next hour and half, I was serenaded, entertained, and made to laugh by the talented Danny Bacher. The one-man show was streamed live on Metropolitan Zoom, a leader in virtual cabaret, jazz, and comedy club experiences.
With the presentation of his show through MetropolitanZoom, Danny Bacher has taken online performing to a place that is, at once, completely new and thoroughly comfortable for him. It necessitated a little grunt work around the house for the gifted jazz musician to make the leap to the internet airwaves, but it was well worth it for him and for his audience. When the audience for Danny Bacher IN THE HOUSE logged in to the Zoom Room provided by MetropolitanZoom they had no vision of Mr. Bacher sitting in his living room or his office, playing his saxophone in front of the fireplace of french doors – they got their favorite jazz crooner parked in front of a microphone with a shimmery curtain behind him, all lit up with brightly colored lamps, just like he was on the stage at The Beach Cafe. For 90 minutes the crowd of family and fans watched Mr. Bacher put on an extremely enjoyable act filled with stellar singing and stunning sax playing. So much does Bacher excel at the two skills that make up his occupation that it is difficult to say which is more entertaining – suffice it to say, when Danny Bacher puts on a show, the audience is twice blessed.
Singer/saxophonist and entertainer extraordinaire, Danny Bacher, joins forces with Metropolitan Zoom for a new and true one-of-a-kind event brought directly to your home! Don’t miss this unforgettable night of swingin’ jazz, American popular song, storytelling and laughs in this virtual night club experience.
When Danny Bacher sings “I Love Being Here with You” (Peggy Lee/William Schluger/additional lyrics Danny Bacher) he really means it. Few artists exude such palpable pleasure in performing. High spirited ease makes him as welcome as an old family friend.
Posted on November 2, 2019 by Alix Cohen in Playing Around on https://www.womanaroundtown.com/sections/playing-around/frank-loesser-heart-and-soul/
Frank Henry Loesser (1910-1969) learned piano by ear. He held a wide variety of jobs in order to contribute to family income, including literally singing for his supper, then secured music contracts with several publishers in Tin Pan Alley. Loesser wrote for Hollywood – notably “See What the Boys in The Back Room Will Have” (music-Friedrich Hollaender) – the ridiculously ‘me-too’ contested “Baby, It’s Cold Outside,” and the charming songs of Hans Christian Anderson.
By Myra Chanin – Originally published at https://www.theaterpizzazz.com/cabaret-convention-celebrates-frank-loesser-second-night/
Frank Loesser is considered one of the most versatile of all Broadway composers. He started out writing lyrics for Hollywood movies and ended up writing complete scores for Tony winning musicals. He was born in the summer of 1929 when men were lighting cigars with $10 bills and before he was six months old, the same guys were paupers, flinging themselves out of windows.
College of Saint Elizabeth’s Annunciation Center – Morristown
Singer, saxophonist, and entertainer Danny Bacher will be joined by the iconic Marilyn Maye and popular saxophonist Harry Allen with the swinging Pat Longo’s Hollywood East Coast Big Band at the Annunciation Center’s Dolan Hall on the campus of the College of Saint Elizabeth. New signage will make it easy to find this comfortable, accessible concert hall.
NJJS Members will enjoy a special low advanced sale ticket price of only $20.00 with the discount code: NJJSDANNY.
The Laurie Beechman Theatre was the site of the first annual ASA (American Songbook Association) Margaret Whiting Award. Sponsored by the ASA and underwritten by Debbi Bush Whiting and My Ideal Music, the 2019 award was presented to singer-tenor saxophonist-songwriter Danny Bacher. The evening featured performances by past winners of the Award (when it was sponsored by the Mabel Mercer Foundation) Celia Berk, Natalie Douglas, Eric Yves Garcia, and Josephine Sanges. Tex Arnold, who was Margaret’s music director, was the MD for the night, and Saadi Zain was on bass. As the audience arrived, they were treated to the vocals of Margaret Whiting over the sound system. As the musicians took the stage, Marilyn Lester, Executive Director of the ASA, greeted the crowd and introduced the first performer. The performers told a brief story about Margaret between their two songs. Frank Dain, treasurer of the ASA and editor of Cabaret Scenes magazine, invited Danny to the stage and read a letter from Todd Murray, another previous winner who could not be there. Frank introduced Debbi who presented the award to Danny. After his very funny thank yous, including a site gag that loses its impact in words, he performed two songs. He was then joined by Celia, Debbi, Natalie, and Josephine for a lovely version of “Time After Time.” Before they sang, Debbi explained that Margaret was thrilled to learn that her version of the song was used in the film Julie & Julia.